In 2004, after Axl Rose hadn’t produced a studio album in well over ten years, record company Geffen decided to release a Greatest Hits album. It was surrounded by controversy however, as Axel Rose tried to sue Geffen in an attempt to halt the album as he disproved of it and it’s track listings. The suing failed and probably had a reverse effect, by hyping up the album so much, and perhaps caused it to go triple platinum in America.

Well at least Geffen started in the right way, with some classic 1987 Slash. The first track is one that everyone knows and one that Rose would be hard put to find a reason to keep out of the album, “Welcome to the Jungle.”  This was the bands first major significant single, and Slash has said he considers it to be the first the band wrote together. It starts off brilliantly, showcasing Slash’s talent straight away, Rose’s voice is powerful  at the start of the song, and only really lightens for a moment in the middle. It’s a great listen, and a classic song, a brilliant opener. It’s hard to believe that the song was inspired by a hobo screaming at kids. MOAR »

Now a little thing that sometimes must be taken into account when it comes to greatest hits albums is taste. Sometimes the artist or band might decide their favourite song over their most popular, or perhaps the problem is that the singles on the album were released in some countries but not others. The latter is the case with Queen’s Greatest hits album, as it has no universal track listing or even universal cover art, due to the fact that it was released three times. First there was the 1981 U.K release, then the 1981 U.S edition, which was followed 11 years later by the 1992 U.S edition. But I am going to deal with the first release of the album, the 1981 U.K edition. MOAR »

Back in Black was one of the first great albums of the 1980’s being released in late July in 1980. It’s easily AC/DC’s best selling album, entering the record books with an incredible 42 million sales worldwide. The second best selling album in history, (second only to Michael Jackson’s album Thriller which to this day has flattened all other competition with a massive estimate of 108 million copies sold worldwide,) Back in Black entered the U.K and Australian album charts at #1, reaching only #4 in the U.S charts, despite becoming the fifth best selling album in U.S history. MOAR »

Ah, Blonde on Blonde, as a new found Bob Dylan fan I must say I have been looking to reviewing this album immensely. So much to talk about with this legendary album sadly, so little time. But I will try my level best to fit all I can in this review. This album is widely recognized as Dylan’s best album and achievement. This thought was widely accepted soon after its release, which I assure you is no mean feat. MOAR »

The year was 1973 and the Irish Blues/Rock legend Rory Gallagher was really peaking as an artist. It was in this year, at the age of just twenty-five that he released his fourth studio album, Tattoo. This album was another in his rapidly growing collection, which proved him and his band’s talent, despite a constant change in drummers and keyboard-players. Rory himself wrote all the tracks on the album, with him on vocals and lead guitar and Gerry McAvoy as always on bass.

The tracks themselves were impressive, with many being included in Greatest Hits/Ultimate Collection albums, and other artists, due to Rory’s talent as a songwriter, have covered many of the tracks on the album, which also gave him many favourites for playing live on his tours. The most notable of these would probably be “Cradle Rock”, an all right song, but I thought it was a little dull and repetitive at times.

The album stuck to the Rory Gallagher that fans knew and loved by incorporating his signature blues/rock/jazzy sound. In particular the song “They Don’t Make Them Like You Anymore” was a great jazz riff and had very catchy beat, and still stuck to his rock roots with a nice little guitar solo to finish it all off. “They Don’t Make Them Like You Anymore” along with “20:20 Vision” are probably the more jazzier and light-hearted tacks on the album. While the rest seem to take a more bluesrock route. MOAR »